This week, the lads take aim at Weapons, the dark and unsettling new film from Zach Cregger, the guy from The Whitest Kids U’ Know who turned out to be a seriously talented horror director. We didn’t quite know what to expect going in, but, you...

This week, the lads dive into Charlie McDowell’s ambitious sci-fi drama The Discovery, where the afterlife isn’t a mystery — it’s been proven. We unpack its big ideas, haunting tone, and the quiet presence of Robert Redford, whose legacy looms ...

The lads take flight with Alejandro G. Iñárritu’s single-take fever dream about ego, art, and actors in their underwear on Broadway. We dig into Michael Keaton’s meta-performance, the film’s dizzying camerawork, and that relentless jazz drum so...

The lads boldly go… nowhere near the speed of light, but straight into the galaxy of Mel Brooks’ Spaceballs. From ludicrous speed to jammed radars, they’ll comb the desert (literally) for laughs, quote the movie way too many times and debate wh...

This week, the lads take aim at Lethal Weapon, the buddy cop classic that made Christmas dangerous and saxophones emotionally manipulative. We break down Mel Gibson and Danny Glover’s iconic dynamic, rooftop negotiations, and just how many expl...